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Posted by
Chris Roubis on 11th, Jan, 2017 |
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11th January 2017 KeyMission 360 delivers a full 360˚ immersive experience for the launch of the new MINI Countryman in Australia Global partnership between Nikon and MINI offers new virtual reality driving experience for new cars even before they become available SYDNEY – Nikon Corporation is pleased to announce the launch of a global marketing partnership with MINI to collaborate on a series of marketing initiatives and content creation for the new KeyMission series of action cameras and the recently announced new MINI Countryman. Through a collection of real-life experiences...
Posted by
Chris Roubis on 16th, Jan, 2016 |
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Nikon COOLPIX A100: Life in Colour Compact and simple, the A100 introduces handy features to capture and frame holiday adventures and special family moments with ease. The first camera in the new 2016 COOLPIX line-up features a reliable NIKKOR lens capable of 5x optical zoom to snap photos of scenic landscapes and fun group shots, plus a 10x Dynamic Fine Zoom* for impressive, detailed close-ups. Â COOLPIX A100 Key Features: Â 5x optical zoom, plus 10x Dynamic Fine Zoom* for impressive and detailed close-ups Remarkable image and video quality with 20.1 effective megapixels** and HD movie...
Posted by
Chris Roubis on 6th, Jan, 2016 |
Comments Off on Experience the next generation of photography with Nikon’s 2016 product line up, including the new D5 and KeyMission 360
Nikon Australia is pleased to announce the launch of the next-generation flagship model, the Nikon D5, set to expand photographic achievements for professional photographers. With a phenomenal new autofocus system, highest standards of expanded ISO sensitivity, turbocharged workflow and exceptional durability, the D5 is the most powerful camera in Nikon history. With a host of new features developed by Nikon, the D5 has plenty to offer professional photographers needing to keep up with the constant change of pace under a variety of conditions. The new 153-point autofocus (AF) system...
Posted by
Chris Roubis on 6th, Jan, 2016 |
Comments Off on Nikon launches first AF-P lenses from NIKKOR with the new AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G
Nikon Australia is pleased to announce the launch of two new NIKKOR 18-55mm lenses, AF-P DX NIKKOR 18-55mm f/3.5-5.6G VR and AF-P DX NIKKOR 18-55mm f/3.5-5.6G, the first AF-P lenses for Nikon’s DSLR cameras. The two latest additions to the NIKKOR range offer compelling autofocus performance, advanced optical elements and excellent agility. Enjoy uninterrupted moments with fast, quiet autofocusing from the compact AF-P lenses and remember memories in clarity with the assistance of refined lens optical performance and Vibration Reduction (VR) mechanism.* Key features: • Covering a normal zoom...
Posted by
Chris Roubis on 6th, Jan, 2016 |
Comments Off on Nikon Australia is pleased to announce the launch of the D500, a DX-format digital SLR camera
Nikon’s flagship DX-format digital SLR camera offering the supreme performance of the D5 in a compact, lightweight body Nikon Australia is pleased to announce the launch of the D500, a DX-format digital SLR camera that packs the incredible performance of the D5, Nikon’s flagship FX-format model, into an agile body. The D500 incorporates the same powerful 153-point AF system as the D5, ensuring precise subject acquisition even during high-speed continuous shooting at approximately 10fps. It supports 4K UHD movies, meeting the demands of multimedia professionals, while the new EXPEED 5...
Posted by
Chris Roubis on 19th, Nov, 2015 |
Comments Off on the next generation of professional Nikon FX-format cameras.
Nikon Australia is pleased to announce the development of the Nikon D5 DSLR camera, representing the next generation of professional Nikon FX-format cameras. A new Wireless Transmitter WT-6 and Speedlight SB-5000, which will be positioned at the top of Nikon’s Speedlight range, are also being developed to complement the greatly anticipated flagship DSLR. This next-generation professional camera will offer a higher level of performance and advanced accessories, alongside the rich lineup of existing NIKKOR lenses. Through this combination, Nikon is pursuing further...
Posted by
Chris Roubis on 22nd, Oct, 2015 |
Comments Off on Nikon Brings Vision Of Great Photography To Life With Latest Campaign I AM MY NIKKOR
Nikon Australia is pleased to announce the launch of I AM MY NIKKOR, a new website that brings together a collection of inspirational narratives by renowned photographers from ASIA Pacific, Middle East and Africa. Developed as an initiative to bring together a diverse collective of photographers and showcase their unique relationships with their lenses, I AM MY NIKKOR explores how remarkable lens technology can shape inspiring photography experiences. By enabling photographers to share their photographs from many beautiful localities and countries, this campaign dives into...
Posted by
Chris Roubis on 18th, Aug, 2015 |
Comments Off on Nikon DX-format D5500 receives esteemed recognition achieving the EISA Consumer DSLR Camera Best Product 2015-2016 Award
Nikon DX-format D5500 receives esteemed recognition achieving the EISA Consumer DSLR Camera Best Product 2015-2016 Award Nikon Australia is proud to announce that the European Imaging and Sound Association (EISA) have honoured the Nikon D5500 with the European Consumer DSLR Camera 2015-2016 Award. The EISA Award marks the Nikon D5500’s second celebration this year, having previously been awarded the Best Digital SLR Entry Level Award 2015, presented by the Technical Image Press Association (TIPA) in April this year. EISA is the unique association of roughly 50 major photo, video, audio, home...
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you need to read what you wrote: “They assume that just because they can’t see certain colors and elements of the light spectrum with their eyes, they don’t exist.” light beyond the visible spectrum HAS NO COLOUR. Colour is, by defintion, a way of describing the visible spectrum “If you were to visualize the entire known light spectrum as stretching from coast to coast, that which we see with our eyes would be about the width of a dime.” Thats not true either. The electromagnetic spectrum is, to all intents, as big as you want it to be “Maybe HDR can...
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It took 12 Pen (E-P1,2,3,5 E-PL1,2,3,5,6,7 E-PM1,2) and 4 OMD (E-M5,5II, 1, 10) models to put things back in track since 2008! Wow Olympus. Way to go! Source Article from http://www.dpreview.com/articles/0832983171/om-d-and-pen-sales-help-bring-olympus-imaging-division-back-to-profitability
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Detail in the landscape shots shot with the Batis and 70-200 is excellent, edge to edge. Yes there’s a bit more noise than I might have expected but so much depends on the exposure and processing it’s unfair to make any judgments as yet. As always, these gallery shots are a useful insight into what the camera can do in certain usage scenarios. I do wish people would stop criticising DPR for not covering every possible scenario. Just think of all the variables – different light levels, a range of apertures, range of shutter speeds, range of focal lengths and lenses,...
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Our full Fujifilm X-T10 review takes a comprehensive look at many aspects of the camera’s performance, with in-depth analysis of our studio tests and shooting experiences. But if you’re looking for something more bite-sized, we’ve got that too. Take a look at the quick version of our review, shot in Seattle’s lovely Golden Gardens where many of the images featured in our full review were taken. And if you’re still hungry, head to our full review for more. Read our full Fujifilm X-T10 Review
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Chris Roubis on 6th, Aug, 2015 |
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Posted by
Chris Roubis on 6th, Aug, 2015 |
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Strange that there are different interpretations of the images. To me – detail and tonal range seems improved at base ISO (200) over EM5-II. It falls somewhere between the EM5-II and A6000. Both RAW and JPEG. At higher ISOs, i.e. 1600, the GX8 does show more color noise than the E-M5II, slightly, but with still greater detail. I always find Fuji to lack detail, both RAW and JPEG, in every single comparison, including this one. Yes it’s got clean images, up the ISO scale, but show less detail and tonal range. Anyway, to me, the sensor while improved is not a huge improvement at...
Posted by
Chris Roubis on 6th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Posted by
Chris Roubis on 5th, Aug, 2015 |
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Posted by
Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Posted by
Chris Roubis on 5th, Aug, 2015 |
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August 4, 2015
Equipped with a built-in VR mechanism, the first NIKKOR lens for which an aspherical ED glass element has been adopted
TOKYO – Nikon Corporation is pleased to announce the release of the AF-S NIKKOR 24-70mm f/2.8E ED VR, a standard zoom lens compatible with Nikon FX-format digital SLR cameras.
The AF-S NIKKOR 24-70mm f/2.8E ED VR is an approximately 2.9x standard zoom lens that supports the 24-70 mm*1 range of focal lengths with a maximum aperture of f/2.8. Adoption of the combination of...
Posted by
Chris Roubis on 5th, Aug, 2015 |
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Posted by
Chris Roubis on 5th, Aug, 2015 |
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August 4, 2015
Compact and lightweight with superior performance
A fast, wide-angle fixed focal length (prime) lens with a focal length of 24 mm and a maximum aperture of f/1.8 compatible with the FX format
TOKYO – Nikon Corporation is pleased to announce the release of the AF-S NIKKOR 24mm f/1.8G ED, a fast, wide-angle fixed focal length lens that is compatible with Nikon FX-format digital SLR cameras.
The AF-S NIKKOR 24mm f/1.8G ED is a fast, wide-angle 24 mm*1 fixed focal length lens with a...
Posted by
Chris Roubis on 5th, Aug, 2015 |
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Posted by
Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Posted by
Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Chris Roubis on 5th, Aug, 2015 |
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Posted by
Chris Roubis on 5th, Aug, 2015 |
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How does the “substantial resolution discrepancy” mitigate pleasing JPEGs exactly? 16MP may be below the resolution other camera companies are using, but so what? It’s still plenty of resolution for most folks. And I talked a lot about how good the OOC JPEGs are, but in no way does this review approach the X-T10 as a ‘point and shoot,’ or refer to using it in such a way. In fact, I spent quite a few pages discussing manual settings and controls. The difference in price between the a6000 and X-T10 is valid, but for our purposes, with prices changing daily in...
Posted by
Chris Roubis on 5th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Well after seeing those images I will definitely NOT be rushing out to buy a RX10II.My RX10 would slap this silly.I agree with Jeff Greenberg, a comparison would be great, and I know which one would win straight away.If your not into video or slow mo, get an RX10 before they are gone.I have always laughed at people saying “oh no never buy the first of a new model, Ill wait till the second one” I have had A100, H1, HX100 and now RX10, all first models, all take amazing images, and all had poor effort second models. Source Article from...
Posted by
Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 4th, Aug, 2015 |
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I’m curious just how big the market is for people to buy a $1000 a7 and then a whole bunch of $1000+ lenses. There’s the kit zoom and used/grey marketZony f4 standard zoom, the 28 mm + adapters, the slow (and tiny) 35 mm f2.8, and then used/grey market 55. That’s it for less than $1000 lenses. Is their goal to have a high profit margin in ILCs? Sure, the a7 family will give them that. Largest market-share? I’m skeptical. They need more <$1000 lenses to keep their impressive market share if they’re going to completely abandon the APS-C line. If they’re...
Posted by
Chris Roubis on 4th, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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Chris Roubis on 3rd, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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Chris Roubis on 3rd, Aug, 2015 |
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Chris Roubis on 3rd, Aug, 2015 |
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Chris Roubis on 3rd, Aug, 2015 |
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Chris Roubis on 3rd, Aug, 2015 |
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Chris Roubis on 3rd, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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Posted by
Chris Roubis on 3rd, Aug, 2015 |
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I can’t find anything nice to say about these. Sure, they’re pictures from a beautiful place, but a beautiful place doesn’t necessarily make for interesting photographs. These never stray away from the beaten paths of amateur-level digital photography.Before you start replying this is too blunt and respond ‘where are your pictures?’, think about this: how can someone grow as a photographer if he/she only gets complacency for anything he/she does, even if it’s nondescript and uninteresting? Sometimes people need to be confronted with their shortcomings in...
Posted by
Chris Roubis on 3rd, Aug, 2015 |
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It does matter. I have owned more bodies than most people on this form : Olympus, Sony, Panasonic, canon, Nikon, and Fuji to name a few. They all have a certain look, a certain way of rendering and even in post not two are really alike. Also as in camera processors continue to get better, the need for RAW will become less of a necessity for most people. Source Article from...
Posted by
Chris Roubis on 2nd, Aug, 2015 |
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Posted by
Chris Roubis on 2nd, Aug, 2015 |
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Chris Roubis on 2nd, Aug, 2015 |
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Posted by
Chris Roubis on 2nd, Aug, 2015 |
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Posted by
Chris Roubis on 2nd, Aug, 2015 |
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