Published Oct 16, 2021 |
Chris and Jordan are taking a well deserved break, so we’re bringing you a classic rerun: DPReview TV episode #1. Take a trip in the wayback machine and watch our review of the Sony a7 III.
Fun trivia: When shooting the opening sequence, Jordan didn’t warn his son that it was a setup. When you see Liam looking sad it’s because he thought his dad was really moving to Seattle and leaving them behind.
Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
Gear in this story
The Sony a7C and a7 III are very similar cameras, but depending on your needs, the choice may come down to more than simply price versus compactness.
Firmware has been updated and lens lineups fleshed-out since Canon, Nikon and Panasonic joined the full-frame mirrorless melee. In the light of these changes, we looked again at the strengths and weaknesses of the main contenders.
Following our recent microphone pre-amp shootout there was a lot of controversy surrounding the results from the Sony a7 III. Our team tested a second a7 III body to verify the results and discovered some important things that could impact the rankings – depending on what microphone you use.
We invited a professional audio engineer to test the microphone pre-amps in cameras from Canon, Nikon, Sony, Panasonic, Fujifilm and Olympus. Find out which ones deliver the best sound.
Sony, Nikon and Panasonic all now make 24MP full frame mirrorless cameras, but each has its specific strengths. The best choice for you depends what you’re planning to shoot (and which lenses you need).
The Nikon Z 14-24mm F2.8 S is a worthy addition to the company’s lineup of high-end F2.8 zooms, offering great image quality in most every respect. Get all the details in our full review.
What tripod can support a 600mm lens and still go on a long hike into the wilderness? We test out six higher-end, thick-legged, modular tripods that are comfortably tall and capable of supporting tremendous amounts of gear. This group review compares all six models, examining their features, functions and ergonomics in use, both in the studio and out in the field.
The Panasonic GH5M2 is a refresh, rather than complete reworking, of the company’s image-stabilized, video focused GH5. We didn’t find live streaming as reliable as we’d hoped but we appreciated the improved feature set.
Sigma’s designed-for-mirrorless 150-600mm F5-6.3 DG DN OS ‘Sports’ lens provides great image quality across a wide zoom range – get all the ins and outs of how this lens performs in our field review.
A little over a year after releasing the OM 4, DJI returns with the OM 5, a smaller, more capable model. It’s can deliver great results, though as we found, not without a little bit of practice.
What’s the best camera for around $2000? These capable cameras should be solid and well-built, have both speed and focus for capturing fast action and offer professional-level image quality. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best.
Most modern cameras will shoot video to one degree or another, but these are the ones we’d look at if you plan to shoot some video alongside your photos. We’ve chosen cameras that can take great photos and make it easy to get great looking video, rather than being the ones you’d choose as a committed videographer.
Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. In this guide we’ve chosen a selection of cameras that make it easy to shoot compelling lifestyle images, ideal for sharing on social media.
If you’re looking for the perfect drone for yourself, or to gift someone special, we’ve gone through all of the options and selected our favorites.
Whether you’re just sharing clips with friends or you’re launching an online on-camera career, vlogging matters. We looked at cameras with selfie-friendly screens, wide-angle lenses, microphone inputs and great video quality, and selected the best.
Started out doing photography at the age of 6 using an uncle's old 1940 kodak brownie box camera. At 15 years of age, I decided to buy my very own 1975 Praktica SLR camera. I now shoot with a Nikon D850. I do unpaid TFP and commercial paid work. 
