@riskinhos:
50s max at 18,500fps “full speed” @ 64×64 res only (0.0041mp):
3,788.8 mp over 50s max at 64×64 res …
translates to:
28.9s for 16,000 fps 128×64
22.0s for 14,000 fps 128×96
18.5s for 12,500 fps 256×64 or 128×128
11.5s for 6,700 fps 256×192
10.5s for 5,500 fps 256×256
9.2s for 2,100 fps 512×384
8.7s for 1,650 fps 512×512
8.2s for 1,500 fps 640×480 (vga)
7.5s for 550 fps 1280x 720 (720p)
8.1s for 350 fps 1280×1024
9.1s for 200 fps 1920×1080 (1080p)
9.6s for 75 fps 2560×2048
if you can consistently pick the exact start/stop times to fully encompass the desired moment for a controlled action/motion event lasting the above time lengths, great.
if, not, such as in unpredictability of sports action (handheld or tripod) aiming at the right cropped fov, you have your work cut out, or realize its usefulness is confined to highly controlled staged event rigs
timespan video clip duration figures for GOLD differ over Platinum
specs shows max times at “full speed” not “all speeds”

Started out doing photography at the age of 6 using an uncle's old 1940 kodak brownie box camera. At 15 years of age, I decided to buy my very own 1975 Praktica SLR camera. I now shoot with a Nikon D850. I do unpaid TFP and commercial paid work.